Thursday, March 4, 2010

The Apple Argument Against Abortion

Source: December 2000 issue of Crisis MagazineExternal link (opens new window)

by Peter Kreeft

I doubt there are many readers of this magazine who are pro-choice. Why, then, do I write an argument against abortion for its readers? Why preach to the choir?

Preaching to the choir is a legitimate enterprise. Scripture calls it "edification," or "building up." It is what priests, ministers, rabbis, and mullahs try to do once every week. We all need to clean and improve our apologetic weapons periodically; and this argument is the most effective one I know for actual use in dialogue with intelligent pro-choicers.I will be as upfront as possible.

I will try to prove the simple, common-sensical reasonableness of the pro-life case by a sort of Socratic logic. My conclusion is that Roe v. Wade must be overturned, and my fundamental reason for this is not only because of what abortion is but because we all know what abortion is.

This is obviously a controversial conclusion, and initially unacceptable to all pro-choicers. So, my starting point must be noncontroversial. It is this: We know what an apple is. I will try to persuade you that if we know what an apple is, Roe v. Wade must be overthrown, and that if you want to defend Roe, you will probably want to deny that we know what an apple is.

1. We Know What an Apple Is

Our first principle should be as undeniable as possible, for arguments usually go back to their first principles. If we find our first premise to be a stone wall that cannot be knocked down when we back up against it, our argument will be strong. Tradition states and common sense dictates our premise that we know what an apple is. Almost no one doubted this, until quite recently. Even now, only philosophers, scholars, "experts," media mavens, professors, journalists, and mind-molders dare to claim that we do not know what an apple is.

2. We Really Know What an Apple Really Is

From the premise that "we know what an apple is," I move to a second principle that is only an explication of the meaning of the first: that we really know what an apple really is. If this is denied, our first principle is refuted. It becomes, "We know, but not really, what an apple is, but not really." Step 2 says only, "Let us not 'nuance' Step 1 out of existence!"

3. We Really Know What Some Things Really Are

From Step 2, I deduce the third principle, also as an immediate logical corollary, that we really know what some things (other things than apples) really are. This follows if we only add the minor premise that an apple is another thing.

This third principle, of course, is the repudiation of skepticism. The secret has been out since Socrates that skepticism is logically self-contradictory. To say "I do not know" is to say "I know I do not know." Socrates's wisdom was not skepticism. He was not the only man in the world who knew that he did not know. He had knowledge; he did not claim to have wisdom. He knew he was not wise. That is a wholly different affair and is not self-contradictory. All forms of skepticism are logically self-contradictory, nuance as we will.

All talk about rights, about right and wrong, about justice, presupposes this principle that we really know what some things really are. We cannot argue about anything at all—anything real, as distinct from arguing about arguing, and about words, and attitudes—unless we accept this principle. We can talk about feelings without it, but we cannot talk about justice. We can have a reign of feelings—or a reign of terror—without it, but we cannot have a reign of law.

4. We Know What Human Beings Are

Our fourth principle is that we know what we are. If we know what an apple is, surely we know what a human being is. For we aren't apples; we don't live as apples, we don't feel what apples feel (if anything). We don't experience the existence or growth or life of apples, yet we know what apples are. A fortiori, we know what we are, for we have "inside information," privileged information, more and better information.

We obviously do not have total, or even adequate, knowledge of ourselves, or of apples, or (if we listen to Aquinas) of even a flea. There is obviously more mystery in a human than in an apple, but there is also more knowledge. I repeat this point because I know it is often not understood: To claim that "we know what we are" is not to claim that we know all that we are, or even that we know adequately or completely or with full understanding anything at all of what we are. We are a living mystery, but we also know much of this mystery. Knowledge and mystery are no more incompatible than eating and hungering for more.

5. We Have Human Rights Because We Are Human

The fifth principle is the indispensable, common-sensical basis for human rights: We have human rights because we are human beings.

We have not yet said what human beings are (e.g., do we have souls?), or what human rights are (e.g., do we have the right to "life, liberty, and the pursuit of happiness"?), only the simple point that we have whatever human rights we have because we are whatever it is that makes us human.

This certainly sounds innocent enough, but it implies a general principle. Let's call that our sixth principle.

6. Morality Is Based on Metaphysics

Metaphysics means simply philosophizing about reality. The sixth principle means that rights depend on reality, and our knowledge of rights depends on our knowledge of reality.

By this point in our argument, some are probably feeling impatient. These impatient ones are common-sensical people, uncorrupted by the chattering classes. They will say, "Of course. We know all this. Get on with it. Get to the controversial stuff." Ah, but I suspect we began with the controversial stuff. For not all are impatient; others are uneasy. "Too simplistic," "not nuanced," "a complex issue"—do these phrases leap to mind as shields to protect you from the spear that you know is coming at the end of the argument?

The principle that morality depends on metaphysics means that rights depend on reality, or what is right depends on what is. Even if you say you are skeptical of metaphysics, we all do use the principle in moral or legal arguments. For instance, in the current debate about "animal rights," some of us think that animals do have rights and some of us think they don't, but we all agree that if they do have rights, they have animal rights, not human rights or plant rights, because they are animals, not humans or plants. For instance, a dog doesn't have the right to vote, as humans do, because dogs are not rational, as humans are. But a dog probably does have a right not to be tortured. Why? Because of what a dog is, and because we really know a little bit about what a dog really is: We really know that a dog feels pain and a tree doesn't. Dogs have feelings, unlike trees, and dogs don't have reason, like humans; that's why it's wrong to break a limb off a dog but it's not wrong to break a limb off a tree, and that's also why dogs don't have the right to vote but humans do.

7. Moral Arguments Presuppose Metaphysical Principles

The main reason people deny that morality must (or even can) be based on metaphysics is that they say we don't really know what reality is, we only have opinions. They point out, correctly, that we are less agreed about morality than science or everyday practical facts. We don't differ about whether the sun is a planet or whether we need to eat to live, but we do differ about things like abortion, capital punishment, and animal rights.

But the very fact that we argue about it—a fact the skeptic points to as a reason for skepticism—is a refutation of skepticism. We don't argue about how we feel, about subjective things. You never hear an argument like this: "I feel great." "No, I feel terrible."

For instance, both pro-lifers and pro-choicers usually agree that it's wrong to kill innocent persons against their will and it's not wrong to kill parts of persons, like cancer cells. And both the proponents and opponents of capital punishment usually agree that human life is of great value; that's why the proponent wants to protect the life of the innocent by executing murderers and why the opponent wants to protect the life even of the murderer. They radically disagree about how to apply the principle that human life is valuable, but they both assume and appeal to that same principle.

8. Might Making Right

All these examples so far are controversial. How to apply moral principles to these issues is controversial. What is not controversial, I hope, is the principle itself that human rights are possessed by human beings because of what they are, because of their being—and not because some other human beings have the power to enforce their will. That would be, literally, "might makes right." Instead of putting might into the hands of right, that would be pinning the label of "right" on the face of might: justifying force instead of fortifying justice. But that is the only alternative, no matter what the political power structure, no matter who or how many hold the power, whether a single tyrant, or an aristocracy, or a majority of the freely voting public, or the vague sentiment of what Rousseau called "the general will." The political form does not change the principle. A constitutional monarchy, in which the king and the people are subject to the same law, is a rule of law, not of power; a lawless democracy, in which the will of the majority is unchecked, is a rule of power, not of law.

9. Either All Have Rights or Only Some Have Rights

The reason all human beings have human rights is that all human beings are human. Only two philosophies of human rights are logically possible. Either all human beings have rights, or only some human beings have rights. There is no third possibility. But the reason for believing either one of these two possibilities is even more important than which one you believe.

Suppose you believe that all human beings have rights. Do you believe that all human beings have rights because they are human beings? Do you dare to do metaphysics? Are human rights "inalienable" because they are inherent in human nature, in the human essence, in the human being, in what humans, in fact, are? Or do you believe that all human beings have rights because some human beings say so—because some human wills have declared that all human beings have rights? If it's the first reason, you are secure against tyranny and usurpation of rights. If it's the second reason, you are not. For human nature doesn't change, but human wills do. The same human wills that say today that all humans have rights may well say tomorrow that only some have rights.

10. Why Abortion Is Wrong

Some people want to be killed. I won't address the morality of voluntary euthanasia here. But clearly, involuntary euthanasia is wrong; clearly, there is a difference between imposing power on another and freely making a contract with another. The contract may still be a bad one, a contract to do a wrong thing, and the mere fact that the parties to the contract entered it freely does not automatically justify doing the thing they contract to do. But harming or killing another against his will, not by free contract, is clearly wrong; if that isn't wrong, what is?

But that's what abortion is. Mother Teresa argued, simply, "If abortion is not wrong, nothing is wrong." The fetus doesn't want to be killed; it seeks to escape. Did you dare to watch The Silent Scream? Did the media dare to allow it to be shown? No, they will censor nothing except the most common operation in America.

11. The Argument From the Nonexistence of Nonpersons

Are persons a subclass of humans, or are humans a subclass of persons? The issue of distinguishing humans and persons comes up only for two reasons: the possibility that there are nonhuman persons, like extraterrestrials, elves, angels, gods, God, or the Persons of the Trinity, or the possibility that there are some nonpersonal humans, unpersons, humans without rights.

Traditional common sense and morality say all humans are persons and have rights. Modern moral relativism says that only some humans are persons, for only those who are given rights by others (i.e., those in power) have rights. Thus, if we have power, we can "depersonalize" any group we want: blacks, slaves, Jews, political enemies, liberals, fundamentalists—or unborn babies.

A common way to state this philosophy is the claim that membership in a biological species confers no rights. I have heard it argued that we do not treat any other species in the traditional way—that is, we do not assign equal rights to all mice. Some we kill (those that get into our houses and prove to be pests); others we take good care of and preserve (those that we find useful in laboratory experiments or those we adopt as pets); still others we simply ignore (mice in the wild). The argument concludes that therefore, it is only sentiment or tradition (the two are often confused, as if nothing rational could be passed down by tradition) that assigns rights to all members of our own species.

12. Three Pro-Life Premises and Three Pro-Choice Alternatives

We have been assuming three premises, and they are the three fundamental assumptions of the pro-life argument. Any one of them can be denied. To be pro-choice, you must deny at least one of them, because taken together they logically entail the pro-life conclusion. But there are three different kinds of pro-choice positions, depending on which of the three pro-life premises is denied.

The first premise is scientific, the second is moral, and the third is legal. The scientific premise is that the life of the individual member of every animal species begins at conception. (This truism was taught by all biology textbooks before Roe and by none after Roe; yet Roe did not discover or appeal to any new scientific discoveries.) In other words, all humans are human, whether embryonic, fetal, infantile, young, mature, old, or dying.

The moral premise is that all humans have the right to life because all humans are human. It is a deduction from the most obvious of all moral rules, the Golden Rule, or justice, or equality. If you would not be killed, do not kill. It's just not just, not fair. All humans have the human essence and, therefore, are essentially equal.

The legal premise is that the law must protect the most basic human rights. If all humans are human, and if all humans have a right to life, and if the law must protect human rights, then the law must protect the right to life of all humans.

If all three premises are true, the pro-life conclusion follows. From the pro-life point of view, there are only three reasons for being pro-choice: scientific ignorance—appalling ignorance of a scientific fact so basic that nearly everyone in the world knows it; moral ignorance—appalling ignorance of the most basic of all moral rules; or legal ignorance—appalling ignorance of one of the most basic of all the functions of law. But there are significant differences among these different kinds of ignorance.

Scientific ignorance, if it is not ignoring, or deliberate denial or dishonesty, is perhaps pitiable but not morally blame-worthy. You don't have to be wicked to be stupid. If you believe an unborn baby is only "potential life" or a "group of cells," then you do not believe you are killing a human being when you abort and might have no qualms of conscience about it. (But why, then, do most mothers who abort feel such terrible pangs of conscience, often for a lifetime?)

Most pro-choice arguments, during the first two decades after Roe, disputed the scientific premise of the pro-life argument. It might be that this was almost always dishonest rather than honest ignorance, but perhaps not, and at least it didn't directly deny the essential second premise, the moral principle. But pro-choice arguments today increasingly do.

Perhaps pro-choicers perceive that they have no choice but to do this, for they have no other recourse if they are to argue at all. Scientific facts are just too clear to deny, and it makes no legal sense to deny the legal principle, for if the law is not supposed to defend the right to life, what is it supposed to do? So they have to deny the moral principle that leads to the pro-life conclusion. This, I suspect, is a vast and major sea change. The camel has gotten not just his nose, but his torso under the tent. I think most people refuse to think or argue about abortion because they see that the only way to remain pro-choice is to abort their reason first. Or, since many pro-choicers insist that abortion is about sex, not about babies, the only way to justify their scorn of virginity is a scorn of intellectual virginity. The only way to justify their loss of moral innocence is to lose their intellectual innocence.

If the above paragraph offends you, I challenge you to calmly and honestly ask your own conscience and reason whether, where, and why it is false.

13. The Argument from Skepticism

The most likely response to this will be the charge of dogmatism. How dare I pontificate with infallible certainty, and call all who disagree either mentally or morally challenged! All right, here is an argument even for the metaphysical skeptic, who would not even agree with my very first and simplest premise, that we really do know what some things really are, such as what an apple is. (It's only after you are pinned against the wall and have to justify something like abortion that you become a skeptic and deny such a self-evident principle.)

Roe used such skepticism to justify a pro-choice position. Since we don't know when human life begins, the argument went, we cannot impose restrictions. (Why it is more restrictive to give life than to take it, I cannot figure out.) So here is my refutation of Roe on its own premises, its skeptical premises: Suppose that not a single principle of this essay is true, beginning with the first one. Suppose that we do not even know what an apple is. Even then abortion is unjustifiable.

Let's assume not a dogmatic skepticism (which is self-contradictory) but a skeptical skepticism. Let us also assume that we do not know whether a fetus is a person or not. In objective fact, of course, either it is or it isn't (unless the Court has revoked the Law of Noncontradiction while we were on vacation), but in our subjective minds, we may not know what the fetus is in objective fact. We do know, however, that either it is or isn't by formal logic alone.

A second thing we know by formal logic alone is that either we do or do not know what a fetus is. Either there is "out there," in objective fact, independent of our minds, a human life, or there is not; and either there is knowledge in our minds of this objective fact, or there is not.

So, there are four possibilities:

  1. The fetus is a person, and we know that; The fetus is a person, but we don't know that; The fetus isn't a person, but we don't know that;
  2. The fetus isn't a person, and we know that. What is abortion in each of these four cases?

In Case 1, where the fetus is a person and you know that, abortion is murder. First-degree murder, in fact. You deliberately kill an innocent human being.

In Case 2, where the fetus is a person and you don't know that, abortion is manslaughter. It's like driving over a man-shaped overcoat in the street at night or shooting toxic chemicals into a building that you're not sure is fully evacuated. You're not sure there is a person there, but you're not sure there isn't either, and it just so happens that there is a person there, and you kill him. You cannot plead ignorance. True, you didn't know there was a person there, but you didn't know there wasn't either, so your act was literally the height of irresponsibility. This is the act Roe allowed.

In Case 3, the fetus isn't a person, but you don't know that. So abortion is just as irresponsible as it is in the previous case. You ran over the overcoat or fumigated the building without knowing that there were no persons there. You were lucky; there weren't. But you didn't care; you didn't take care; you were just as irresponsible. You cannot legally be charged with manslaughter, since no man was slaughtered, but you can and should be charged with criminal negligence.

Only in Case 4 is abortion a reasonable, permissible, and responsible choice. But note: What makes Case 4 permissible is not merely the fact that the fetus is not a person but also your knowledge that it is not, your overcoming of skepticism. So skepticism counts not for abortion but against it. Only if you are not a skeptic, only if you are a dogmatist, only if you are certain that there is no person in the fetus, no man in the coat, or no person in the building, may you abort, drive, or fumigate.

This undercuts even our weakest, least honest escape: to pretend that we don't even know what an apple is, just so we have an excuse for pleading that we don't know what an abortion is.

One Last Plea

I hope a reader can show me where I've gone astray in the sequence of 13 steps that constitute this argument. I honestly wish a pro-choicer would someday show me one argument that proved that fetuses are not persons. It would save me and other pro-lifers enormous grief, time, effort, worry, prayers, and money. But until that time, I will keep arguing, because it's what I do as a philosopher. It is my weak and wimpy version of a mother's shouting that something terrible is happening: Babies are being slaughtered. I will do this because, as Edmund Burke declared, "The only thing necessary for the triumph of evil is that good men do nothing."

Sunday, February 21, 2010

Song of the Week



Narrator:
(So apropos:
Saw death on a sunny snow)

Him:
"For every life..."

Her:
"Forgoe the parable."

Him:
"Seek the light."

Her:
"...My knees are cold."

(Running home, running home, running home, running home...)

Her:
"Go find another lover;
To bring a... to string along!"

"With all your lies,
You're still very lovable."

"I toured the light; so many foreign roads for Emma, forever ago."

Wednesday, February 3, 2010

The Pursuit of Happiness

Happiness. It’s what everyone wants. While people might gives answers like fame, money, love, when you ask them what they want, what they’re really saying is “I want to be happy.” Think about it. People who want fame, money, love, etc. think these are the magical keys that will bring them happiness.

As Christians and Catholics, our general assumption is that doing God’s will, our mission in life, will bring us happiness. This is a lovely idea. We picture the saints as experts at doing God’s will. Sure, it wasn’t always early for them, but they did it. And they were HAPPY.

Perhaps this is a skewed assumption. Take St. Elizabeth of Hungary, for example. She married Louis of Thuringia and had a love- and faith-filled marriage. However, Louis died in the Crusades not long after. They had three children, one of whom died as a young child. Elizabeth certainly had her share of heartache. It would be unreasonable to think that she did not suffer from pain and loss every day of her life.

That is not to say that St. Elizabeth did not find contentment, fulfillment, and joy in obeying God. But perhaps the ‘issue’ is with the idea of happiness itself.

I believe that many people, including myself, associate happiness with how you feel when you’re hanging out with friends, for example. You’re laughing, joking around, and just feeling really good, key word being ‘feeling’. We associate happiness with how we feel.

That’s where we mess up. Happiness is, or should I say, can be, an emotion, just like sadness, joy, or anger. I think of happiness as a combination of joy and contentment. And who doesn’t want to feel like that? ALL THE TIME?

But seriously, we are human beings. We have these things called emotions that vary GREATLY and FREQUENTLY throughout our lives. That’s just life. Isn’t it somewhat unreasonable to expect to experience just one emotion for the rest of your life, regardless of what happens?

Maybe true happiness is less of a reaction, and more of a decision, less of a feeling and more of a knowing; a knowledge that we know what this life is all about and what we need to do in order to be eternally happy.

Thursday, January 28, 2010

Try - Asher Book

Recently I watched the new movie "Fame", a remake of an older Oscar-winning film. While the musical numbers were impressive and featured exceptional talent, I found the overall story sorely lacking. Certain story lines would be picked up and elaborated on only to be suddenly dropped and never resurrected. In the story lines that were touched upon more than once, the huge gaps in time left a lot to be assumed on the part of the watcher.

However, as I said before, the musical numbers were great, and the song of the week is one of these:

"Try" - Asher Book
http://www.youtube.com/watch?v=z7zqrOP_oBA

Monday, November 2, 2009

Staggering

ONE OUT OF EVERY SIX American women has been the victim of an attempted or a completed rape in her lifetime, adding up to 17.7 million people.

Sixty-six perfect of rape victims know their assailant. Forty-eight percent are raped by a friend.

Twenty perfect of rapes take place at the home of a friend, neighbor, or relative.

More than half occur within a mile of the victim's home.

Eighty percent of rape victims are under age thirty. Girls between ages sixteen and nineteen are four times more likely than the general population to be victims of sexual assault.

Sixty-one percent of rapes are not reported to the police. If a rape is reported, there's a 50.8 percent chance that an arrest will be made. If an arrest is made, there's an 80 percent chance of prosecution. If there's a prosecution, there's a 58 percent chance of felony conviction. If there's a felony conviction, there's a 69 percent chance that the rapist will actually spend time in jail. Of the 39 percent of rapes that are ported to the police, then there's only a 16.3 percent chance that the rapist will wind up in prison. If you factor in all the unreported rapes, 94 percent of rapists walk free.

Saturday, October 31, 2009

Quotes from Theatre Appreciation

By concentrating on the bigger picture rather than your individual role, you get farther and farther away from your role, harming the bigger picture.

Passion is what makes goals achievable.

Until June

Meggar posted something on Michael Buble so I feel like posting something on Until June. :)

"Until June is quietly conquering the music world... The indie-cool-meets-pop sounds created by trio Josh Ballard, Dan Ballard and Daniel Dempsey offer a fresh take on the term piano rock. With a #1 single in Greece and extensive touring in the U.S., Southeast Asia and the Mediterranean under their belts, UJ is steadily amassing a loyal alliance of believers worldwide who are eager to share their discovery. Melodic falsettos belted out over lush rock instrumentation provide the perfect paradox of sound that almost feels like a guilty pleasure.

Until June released their new EP Sound of Defeat on Authentik Artists on May 19, 2009 and will be touring internationally throughout the year."

- PureVolume

Monday, October 12, 2009

The Game of Life

Today in Theatre, our teacher had us do a 'check-in' where we were to use a board game as a metaphor for our lives right now.

I used the game Clue. I have watched about three Sherlock Holmes movies in the past three days, and I have started reading Conan Doyle again.

But the real reason I used Clue was because I am waiting on information in order to make decisions in my life.

Monday, October 5, 2009

Oratio Sancti Francisci

Lord, make me an instrument of your peace;
where there is hatred, let me sow love;
where there is injury, pardon;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.

O Divine Master,
grant that I may not so much seek to be consoled as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to Eternal Life.

Amen.


Domine, fac me servum pacis tuae,
ubi odium, amorem seram;
ubi iniuria, veniam;
ubi dubium, fidem;
ubi desperatio, spem;
ubi caligo, lucem;
ubi tristitia, laetitiam.

O Domine coelestis, concede mihi ut ne tam petam
consolari quam consolare,
intellegi quam intelligere,
amari quam amare.

Nam in dando recipimus,
in ignoscendo ignoscimur,
et in moriendo ad vitam aeternam nascimur.

Amen.

Friday, October 2, 2009

Plain Truth

"If you're afraid of everyone leaving you, what do you do?"

"Make them stay."

"And if you can't do that, or don't know how to?"

"I don't know."

"Yes, you do. In fact, you've done it. You leave first, so you don't have to watch them walk away."


-Coop and Ellie from "Plain Truth" by Jodi Piccoult

Thursday, October 1, 2009

Gifts

Imagine making a gift for someone and pouring your blood, sweat, tears, time, your very self into this gift. It becomes a representation of you. You give this gift to the person you made it for, and they take the gift and walk away, without so much as a thank you. They are so enthralled with the gift that they forget the giver.

God gives people to us, friends and family. They greatest gifts receive in our lives. Sometimes we come to love them and forget their Maker, we appreciate them without appreciating Him Who gave them to us. And sometimes, God takes them away from us, because He loves us so much, so that we will remember Him.

- A homily by Fr. Anthony Ouellette

Thursday, September 3, 2009

Movie Review: Benny & Joon

Title: Benny & Joon

Rating: PG

Length: 98 minutes

Stars: Johnny Depp, Mary Stuart Masterson

My Rating: 5 stars *****

Basically, this movie is awesome. I LOVE Johnny Depp, and he is simply amazing in “Benny & Joon”. He makes you laugh, and he makes you cry. You want him to succeed and you fall in love with him.

Joon is a mentally ill young woman who lives with her brother, Benny. She has to be watched by a house sitter and rarely leaves the house. She loves to paint. She goes with Benny to a poker game and she loses, and therefore must take a young man named Sam home with her. Joon and Sam form a friendship, originally to the wonder of Benny, and then to his dismay.

That’s the plot setup. I’m sure you can guess what happens next. The acting, especially on the part of Mary Stuart Masterson, is very good, and the plot is priceless.

Aaaand, this is a sucky review but I honestly can’t think of anything else to say about it except that it’s amazing and you should watch it.

Sunday, August 30, 2009

Movie Review: Master and Commander


Title: Master and Commander: The Far Side of the World

Rating: PG-13

Length: 138 minutes

Stars: Russell Crowe, Paul Bettany

My Rating: 4 stars ****

Recommended by: The Odd Wizard of MO

The story centered around a British naval captain, Captain Jack Aubrey, and his ship, the HSM Surprise. The movie is set in the very early 1800s in the oceans around South America (maybe Africa). The ship suffers from a surprise attack by a French ship. Captain Aubrey decides to chase this ship down and capture it, despite the ship being bigger and faster, and consequently ‘out of their league’.

This movie is not for the faint of heart. I certainly don’t enjoy violence, but in this movie it is simply a part of the story and was not overly emphasized, so I could live with it.

At the same time, humor also has its place in the movie and is well-used. An example: “Name a shrub after me. Something prickly and hard to eradicate.”

As for the characters, they are realistic and believable. You grow attached to them quickly, and, as a warning, not all of them survive. It’s a battleship. There are battles. Men die. That’s just the facts. Even some of the guys you care about will die.

The captain, Jack Aubrey, is a powerful character. You come to care about him, but you also realize he is not perfect and can make bad decisions. In the end he redeems himself, as all truly good characters do. His friend, Stephen, was a difficult character for me. I liked him, but I don’t think I would want to be friends with him. Maybe part of what bothered me about him was that I recognized the actor but couldn’t place him. Turns out he (Paul Betanny) played Dustfinger in “Inkheart.” The friendship between Jack and Stephen is explored in relation to their different levels of authority, which adds an interesting element.

Sadly, there are no absolutely no women or girls “Master and Commander”. :( I just felt the need to mention this and bemoan it.

Rusell Crowe was...okay, okay, I'll say it. Hot. Even with long(ish) hair. Happy now? He had a confidence and command that 'proved' his character. Don't ask me what that means :P

Overall, it was a good movie. Not absolutely spectacular, but it earned four stars.

Sunday, June 21, 2009

Song of the Week

I have a brand new song of the week all ready and waiting!!!!!

"Smother Me" by The Used

However, "Congratulations" by Blue October feat. Imogen Heap also deserves a special mention, so I'm including a video for it too.

Listen to "Smother Me":
http://www.youtube.com/watch?v=I-AVDMKDYqI


Listen to "Congratulations":
http://www.youtube.com/watch?v=MknhYSj_w-I



<3 Kristen

Wednesday, June 17, 2009

Song of the Week

The song of the week is for Megs. She knows why. :)

“The Greatest Man That Ever Lived” by Weezer.

I saw this in a video and it was SO funny. I couldn’t get the song out of my head, so I downloaded it and became obsessed.

At first it might be a little wierd, but just listen to the whole thing. Trust me.

Listen to it:

http://www.youtube.com/watch?v=wIbnlvjF5PY

http://butterfli4life.livejournal.com/9100.html

Wednesday, June 10, 2009

A Memory

I feel like a memory
Like a whispered ‘I love you’ the wind whisks away before it reaches the beloved

I feel like a footstep on snow
Like the feeble flicker of a candle that never gleams in someone’s eye

I feel like sleep
Like the hushed sob of a broken heart begging amnesia for balm

I feel like silence
Like the last leaf of autumn twirling and dangling by a thread

I feel like thunder
Like the final throb of hope as it exhales into despair

I feel like a goodbye
Like the soft thud of a book closing to the world

I feel like a sigh
Like moss encroaching the honor and eternity of a tombstone

I feel like a shadow
Like the cry of a seagull echoing out across the waves

I feel like a requiem
Like the muslin of a mourning veil that filters the light until only shadows penetrate the
gloom

I live.

I hurt.

I am.

Monday, June 8, 2009

New Song of the Week

This week I am actually on time with the song of the week - "Red High Heels" by Kellie Pickler. Lately I've been listening to so much pop, rock, and alternative, I haven't really listened to country music in a while. That is, until this song popped up in my YouTube suggestions box, and I have a slight addiction to it now. Plus, I'm in a very red-high-heels mood right now. If you're a guy and don't understand, I'm sorry, I can't explain it. It's a girl thing.

Listen to it:




Lyrics:

Baby, I've got plans tonight
You don't know nothin about
I've been sittin round way too long
Tryin' to figure you out
But you say that you'll call and you don't
And I'm spinnin my wheels
So I'm goin out tonight in my red high heels

I'm gonna call up that old boyfriend you said
Still has it bad for me
I'm gonna take him into town, flaunt him around
For everyone to see
Well, you said once yourself, baby
Yeah, you know the deal
Nobody holds a candle to me
In my red high heels

Oh, you can watch me walk if you want to, want to
I bet you want me back now don't you, don't you
I'm about to show you just how missin me feels
In my red high heels

All those games you tried to play
Well they ain't gonna work on me now
I put a barbed wire fence around my heart, baby
Just to keep you out
Well, you thought I'd wait around forever
But baby get real
I just kicked you to the curb
In my red high heels

Oh, you can watch me walk if you want to, want to
I bet you want me back now don't you, don't you
I'm about to show you just how missin me feels
In my red high heels

Oh, you can watch me walk if you want to, want to
I bet you want me back now don't you, don't you
I'm about to show you just how missin me feels

Oh, you can watch me walk if you want to, want to
I bet you want me back now don't you, don't you
I'm about to show you just how missin' me feels
In my red high heels
In my red high heels
In my red high heels

~Kristen

http://butterfli4life.livejournal.com/8473.html

Monday, June 1, 2009

Michael Buble Raps

I found this today and it is amazing!!!!!!!!!!! Who knew Michael Buble, one of my all-time favorite singers, could rap?! And he even does it well!!!!!!!!!

Go Michael! I love you! :) <3

Sunday, May 31, 2009

New Song of the Week

Drumroll, please! The new song of the week is……………..”Running Away” by Midnight Hour. I love this song to death. I first saw it in a New Moon video, and I fell for it then. I immediately went and downloaded it. It is so so heart-breakingly gut-wrenchingly sad. It has this epic sound to it. I don’t know how to describe it other than that. The lead singer’s voice is very powerful and emotional.

Listen to it:

Lyrics:

Don’t lie and say it’s okay

It’s alright if there’s nothing more to say

So I’ll be running away

I’m leaving this place

Yeah, I’m running away

I’m running away

Don’t tell me I’m the one to blame

It’s too late for you to make me stay

No, I won’t stay

So I’ll be running away

I’m leaving this place

Yeah, I’m running away

I’m running away

And faster than you can follow me

From this lonely place

And farther than you can find me

I’m leaving, yeah, I’m leaving today

I, I’ll never let you find me

I’m leaving you behind with the past

No, I won’t look back

And I, I don’t wanna hear your reasons

Don’t wanna hear you tell me why I should stay

I’m tryin’, I’m trying to understand me

Try to understand I say when I say I can’t stay

I, I’m moving on from this place

I’m leaving and I walk when I’m running away

I’m running away

I’m leaving this place

Yeah, I’m running away

I’m running away

BTW, if anyone wants to know what last week’s song was, it’s “The Greatest” by Cat Power.

Monday, May 4, 2009

Song of the Week

I have a new song of the week for y'all!!!!!!!!!

Last week sometime I was going through the Music Sundays blog, listening to the songs via YouTube videos that Moon_Witche so kindly included, and one of the songs was "The Minnow and the Trout" by A Fine Frenzy. I had heard of this group because I had a song of theirs ("Rangers") that came with a fanmix that I liked. Soooo, I listen to this song, and I LOVE it. It sticks in my head, I catch myself singing it randomly and constantly, and it just won't LEAVE ME ALONE!

So I decide that if I like two songs by Fine Frenzy, I will probably like their other ones. BOY DID I. Oh. My. Edward. I haven't loved a group this much since I found The Fray. And that's saying a lot. I could go on and on about the folk-music sound and the soulful lyrics and the heart-wrenching delivery of each and every song.

One song (barely) stood out from among the rest: "Almost Lover". This song . . . . . . . . . . . . . floors me. Alison Sudol sings this song especially with such beauty and TRUTH. She has surely suffered heartbreak in her life. There is no other way she could come out with a song like this. "Ashes and Wine" is a song that goes very closely with "Almost Lover". The lyrics are different, the concept is similar, but the feeling is identical. Now, I don't mean to say they're the same song. They're not. They're very different and stand alone fine. But together . . . . . . . . magic. Personally, I like the verses of "Almost Lover" and the chorus of "Ashes and Wine" best. I bow to the amazing awesomness of Alison Sudol. I really do. I would be honored to have her autograph. The warmth, depth, and power of her voice is truly one of the most spectacular things I have ever heard.

ANYWAYS, all the songs on "One Cell in the Sea" (the only album by A Fine Frenzy that has been released) are very very good and simply dazzling. Yes, I used the 'dazzling'. I bought the album the day after I listened to the songs and spent $13.95 at Hastings on it. The best almost $14 I have ever spent.

GO CHECK OUT 'A FINE FRENZY' RIGHT NOW!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!



Lyrics:


Your fingertips across my skin
The palm trees swaying in the wind
Images
You sang me Spanish lullabies
The sweetest sadness in your eyes
Clever trick

Well, I never want to see you unhappy
I thought you'd want the same for me


Goodbye, my almost lover
Goodbye, my hopeless dream
I'm trying not to think about you
Can't you just let me be?
So long, my luckless romance
My back is turned on you
Should've known you'd bring me heartache
Almost lovers always do

We walked along a crowded street
You took my hand and danced with me
Images
And when you left, you kissed my lips
You told me you would never, never forget
These images

No

Well, I'd never want to see you unhappy
I thought you'd want the same for me


Goodbye, my almost lover
Goodbye, my hopeless dream
I'm trying not to think about you
Can't you just let me be?
So long, my luckless romance
My back is turned on you
Should've known you'd bring me heartache
Almost lovers always do

I cannot go to the ocean
I cannot drive the streets at night
I cannot wake up in the morning
Without you on my mind
So you're gone and I'm haunted
And I bet you are just fine

Did I make it that
Easy to walk right in and out
Of my life?

Goodbye, my almost lover
Goodbye, my hopeless dream
I'm trying not to think about you
Can't you just let me be?
So long, my luckless romance
My back is turned on you
Should have known you'd bring me heartache
Almost lovers always do

Sunday, April 26, 2009

Song of the Week

The new song of the week is . . . . . . . . . . . . . . . . . . .

"Slow Dancing in a Burning Room" by John Mayer. I'm not a huge huge fan of John Mayer (I could have lived very happily without ever hearing "Say"), but this song of his I absolutely love. It is entirely coincidence that this song was played on CSI in Season 7. It was where I first heard the song, but I didn't really hear it until I downloaded it in a Twilight fanmix. One of the items on my bucket list is to slow dance to this song sometime in my life.

This song kind of reminds me of early on in New Moon from Edward's POV. He has the mindset where it's never going to work and it's going to end badly, so this song is very appropriate for that. The song is also very melancholy and almost resolved to the situation, which DUH, is totally Edward.

Plus, this song has just been my mood lately.



I used a GSR video to the song because I couldn't find any vids of the song that weren't live. So, if you want, just ignore the visuals and the voiceovers.

Anyways, love the song to death, strongly recommend it, and all that.

Lyrics:


It's not a silly little moment,
It's not the storm before the calm.
This is the deep and dying breath of
This love that we've been working on.

Can't seem to hold you like I want to
So I can feel you in my arms.
Nobody's gonna come and save you,
We pulled too many false alarms.

We're going down,
And you can see it too.
We're going down,
And you know that we're doomed.
My dear,
We're slow dancing in a burning room.

I was the one you always dreamed of,
You were the one I tried to draw.
How dare you say it's nothing to me?
Baby, you're the only light I ever saw.

I'll make the most of all the sadness,
You'll be a bitch because you can.
You try to hit me just to hurt me
So you leave me feeling dirty
Because you can't understand.

We're going down,
And you can see it too.
We're going down,
And you know that we're doomed.
My dear,
We're slow dancing in a burning room.

Go cry about it - why don't you?
Go cry about it - why don't you?
Go cry about it - why don't you?

My dear, we're slow dancing in a burning room,
Burning room,
Burning room,
Burning room,
Burning room.

Don't you think we oughta know by now?
Don't you think we shoulda learned somehow?
Don't you think we oughta know by now?
Don't you think we shoulda learned somehow?
Don't you think we oughta know by now?
Don't you think we shoulda learned somehow?
Don't you think we shoulda learned somehow?
Don't you think we shoulda learned somehow?
Don't you think we shoulda learned somehow?
Don't you think we shoulda learned somehow?

Wednesday, April 22, 2009

CSI MOVIE!!!!!!!!!!!!!!!

http://www.seattlepi.com/tvguide/405343_tvgif21.html

CSI fans take heart: A feature-length movie is in the cards, and it's definitely going to involve Gil Grissom, according to William Petersen.
"Yes, there will be a movie," Petersen told Britain's Radio Times. Although he is sure fans might be "a little trepidatious," Petersen promises the move to the big screen will not be done haphazardly.
"Usually people leave it till a series has finished —they did that with The X-Files and Sex and the City," Petersen said. "But it's about finding the right story, there has got to be a real reason to do it."
One of those real reasons? Grissom won't be around forever. "You don't just do it because you want to make money — you do it because there's a story that can't be told on TV and needs to be told from CSI's perspective and the audience wants it," Petersen said. "And we can't wait for CSI to end or Grissom will be about 90."
Petersen bowed out of the hit CBS drama after eight years earlier this season, handing over the reins to Laurence Fishburne's Raymond Langston. He had previously said his character's open-ended departure preserved the chance of a film.


Yes. YES. YES.

My life is complete. I can die now. No wait, I can die AFTER the movie comes out.

*happy sigh*

Billy, I love you. I do. Seriously.

Sunday, April 19, 2009

Song of the Week

Hey everyone!

The song of the week is Only Hope” by Mandy Moore. There also is a Switchfoot version, but I prefer the original. I don’t LOVE love Mandy Moore, but I do really like this song. It’s from A Walk to Remember, which is where I first heard it. BTW Walk to Remember = GREAT movie!!! 4 stars (****). Lyrics at the bottom.

Also, I’ve known about this song called “Rangers” by A Fine Frenzy for a while, and it’s good, so I thought I’d share. Megan, I think you especially will like this song. It just sounds like your thing. ; )

Lyrics:


There's a song that's inside of my soul
It's the one that I've tried to write over and over again
I'm awake in the infinite cold
But You sing to me over and over and over again

So I lay my head back down
And I lift my hands
and pray to be only Yours
I pray to be only Yours
I know now you're my only hope

Sing to me the song of the stars
Of Your galaxy dancing and laughing
and laughing again
When it feels like my dreams are so far
Sing to me of the plans that You have for me over again

So I lay my head back down
And I lift my hands and pray
To be only yours
I pray to be only yours
I know now you're my only hope

I give You my destiny
I'm giving You all of me
I want Your symphony
Singing in all that I am
At the top of my lungs I'm giving it back

So I lay my head back down
And I lift my hands and pray
To be only yours
I pray to be only yours
I pray to be only yours
I know now you're my only hope

Have a great day!

~Kristen

LJ Pimping

This is a very special post just to pimp the website LiveJournal. Yes, I love Blogger, it’s very simple and easy to use, but LJ . . . . it’s like vampire Blogger on steroids. The possibilities in using it are AMAZING. It’s so easy to post pics and videos, embed media, change text font, size, and color, etc. etc. Also, LJ has TONS of communities on every topic imaginable. For example, the LJ community Lion&Lamb is a Twilight fan community where fans post fanfiction updates, fanart, news, polls, questions, discussions, etc. etc. You can create your own community, join communities so you can post there, or watch them so you can get messages when they are updated. You can post individual posts as either public or private, with private being only viewable by your friends. I really really love using LJ, and I KNOW anyone who likes Blogger will love it too. The only setback I have found using LJ is it is very HTML based, so it helps to know just a tiny bit of basic HTML, for example a / means the end of something. If you run into problems with the HTML, it’s very easy to find help on what to do and how to fix it. I might even be able to help a little bit too.

Go check it out! MY LJ is : http://butterfli4life.livejournal.com. I have both private and public posts. I’ve posted fanart on there before a while ago, and I plan on doing it again. Those posts will be public.

P.S. And yes, I am very aware that this sounds like an ad or a commercial. Sorry about that!

Sunday, April 12, 2009

Song of the Week

Hey! I’m here with the new Song of the Week(s)!!!!And yes, there is going to be two. This week I found a whole bunch of new, amazing music, and I couldn’t narrow it down to one song. So, the two songs are “Say (All I Need)” by One Republic, and “I Love Rock and Roll” by Joan Jett and the Blackhearts. I first heard ‘Say’ in a Twilight music video, and it was just such an amazing song. The lyrics are iffy as a parallel to Twilight, but I LOVE the sound of it, if that makes any sense. As for “I Love Rock N Roll”, I’m going through a Joan Jett phase right now. And no, of course that doesn’t have ANYTHING to do with the fact that KStew’s going to playing her *wink wink*. Some other amazing songs that I ‘found’ this week and that I strongly recommend for you guys to check out are: “Lullaby” by the Spill Canvas, a very sweet, romantic, soft, and lilting . . . . well, lullaby; “What About Now” by Chris Daughtry; “Shakin’” by Rooney, just a cool song; “Breathe” by Angels & Airwaves, a song that is really Twilight-y and reminds me of when I very first read the book, it just has that sound, and it touches me; and “Jai Ho” by the Pussycat Dolls. I have to give a shout out here to Megan for introducing me to the song “Jai Ho”, because it is such a freaking awesome song. It’s Bollywood and dance-y and cool. I love it. Oh, and BTW, “Jai Ho” won the Oscar for Best Song. Just a little fun fact.

~Kristen

Lyrics:


"Say (All I Need)"

Do you know where your heart is?
Do you think you can find it?
Or did you trade it for something
Somewhere better just to have it?
Do you know where your love is?
Do you think that you lost it?
You felt it so strong, but
Nothing's turned out how you wanted

Well, bless my soul
You're a lonely soul
Cause you won't let go
Of anything you hold

Well, all I need
Is the air I breathe
And a place to rest
My head

Do you know what your fate is?
And are you trying to shake it?
You're doing your best and
Your best look
You're praying that you make it

Well, bless my soul
You're a lonely soul
Cause you won't let go
Of anything you hold

Well, all I need
Is the air I breathe
And a place to rest
My head

I said I all I need
Is the air I breathe
And a place to rest
My head

Do you think you can find it?
Do you think you can find it?
Do you think you can find it?
Better than you had it
Do you think you can find it?
Do you think you can find it?
Do you think you can find it?
Yeah, better than you had it (Better than you had it)

I said I all I need
Is the air I breathe
And a place to rest
My head

I said I all I need
Is the air I breathe
And a place to rest
My head

Whenever the end is
Do you think you can see it?
Well, until you get there
Go on, go ahead and scream it
Just say it

“I Love Rock N Roll” by Joan Jett and the Black Hearts

I saw him dancin' there by the record machine
I knew he must a been about seventeen
The beat was goin' strong
Playin' my favorite song
An' I could tell it wouldn't be long
Till he was with me, yeah me, singin'

I love rock n' roll
So put another dime in the jukebox, baby
I love rock n' roll
So come an' take your time an' dance with me

He smiled so I got up and' asked for his name
That don't matter, he said,
'Cause it's all the same

Said can I take you home where we can be alone

An' next we were movin' on
He was with me, yeah me

Next we were movin' on
He was with me, yeah me, singin'

I love rock n' roll
So put another dime in the jukebox, baby
I love rock n' roll
So come an' take your time an' dance with me

Said can I take you home where we can be alone

An we'll be movin' on
An' singin' that same old song
Yeah with me, singin'

I love rock n' roll
So put another dime in the jukebox, baby
I love rock n' roll
So come an' take your time an' dance with me

Posts Archive